The pioneering LGBT magazine The Advocate called 9 GRAMS “heartfelt and often humorous” in a glowing review of the play that appears in both its print and online publications. Writer David Artavia explains playwright Maisha Yearwood “has written a brutally honest and poignant one-woman play…putting on full display the ugly truth of what it means to be a targeted Black lesbian American traveling and living abroad.” Peep the full review here.
Go to 9GRAMS.com more information about the next performance of 9 GRAMS.
Progressive Pupil announces its programming line up for the 2017-2018 academic year. With the award-winning documentary Black and Cuba, prize-winning one-woman show 9 GRAMS (recently featured in The Advocate) and always thought provoking workshop Coping With Microaggressions; our programs contribute to learning at universities, nonprofits and corporations throughout the US and abroad.
Download catalogue .pdf here
Prize-winning novelist and native Virgin Islander Tiphanie Yanique skewered the Trump Administration for turning its back on the US Virgin Islands in their time of need in a New York Times op-ed this week. The Islands-St. Thomas, St. John and St. Croix-are grappling with extensive damage created by Hurricane Irma. “Today Virgin Islanders are led by a president who makes clear delineations between ‘real’ Americans and all the rest,” writes Yanique.
Yanique’s forthcoming television series, Fortune Bay, reflects on how the people of Virgin Islands and other Americans who are deemed less “real” struggle to achieve their aspirations and overcome obstacles. The show is based on Yanique’s prize-winning novel, Land of Love and Drowning. It is featured as part of the Independent Film Project’s 2017 No Borders Production Marketplace.
Read the complete New York Times essay here.
Enjoy this custom playlist by our outreach director Shannon Shird. Lemonade a Seat at the Table
Today, the New York Times reported in an astonishing video on racist, islamophobic, homophobic and misogynist statements emboldened by the Orange one at his campaign rallies. One attendee remarks, “this is the last chance…to preserve the culture I grew up in.” Please share with a friend who is considering not voting this election year.
During the Caribbean Studies Association 2016 conference I met a number of brilliant young Haitian-Americans, including a 20-something Cornell PhD candidate whose project focuses on Black feminist political theory in contemporary novels by Caribbean authors. Her mother emigrated from Haiti before she was born and left the country permanently in the early aughts. I had to admit to her my ignorance of the precise details of Haitian history that motivated her mom to leave Haiti.
Clockwise from left: author Zora Neale Hurston, Hurston and her partner Percival Punter, and Haitian “zombie” photographed by Hurston during her fieldwork 1936-1937.
On the tap-tap (Port-au-Prince take on the dollar cab/combi/collectivo) from Touissaint Louverture airport yesterday, I had the good fortune of running into Prof. Daphne LaMothe of Smith College. An expert in African American literature, Prof. LaMothe shared with me that Zora Neale Hurston wrote the essential novel Their Eyes Were Watching God here in Haiti in just seven weeks.